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・ Shlomi, Israel
・ Shlomit
・ Shlomit Malka
・ Shlomo
・ Shlomo (beatboxing artist)
・ Shlomo Amar
・ Shlomo Amar (politician)
・ Shlomo Amos
・ Shlomo Arel
・ Shlomo Argov
・ Shlomo Aronson
・ Shlomo Artzi
・ Shlomo Aviner
・ Shlomo Avineri
・ Shlomo Baksht
Shlomo Bar
・ Shlomo Baum
・ Shlomo ben Aderet
・ Shlomo Ben-Ami
・ Shlomo Ben-Haim
・ Shlomo Ben-Yosef
・ Shlomo Benado
・ Shlomo Benizri
・ Shlomo Bentin
・ Shlomo Bohbot
・ Shlomo Breznitz
・ Shlomo Carlebach (musician)
・ Shlomo Carlebach (scholar)
・ Shlomo Chanoch Rabinowicz
・ Shlomo Cohen


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Shlomo Bar : ウィキペディア英語版
Shlomo Bar

Shlomo Bar (1943 - )is an Israeli musician, composer, and social activist. He is a pioneer of ethnic music in Israel.〔(Raising the cultural Bar )〕
== Biography ==
Shlomo Bar was born in Rabat, Morocco. His family immigrated to Israel when he was six.〔(Bar's meeting point )〕He learnt how to play the darbuka and other ethnic percussion instruments, performing in various small lineups and as a backing musician for artists such as Matti Caspi on tours. In 1976 he played in Yehoshua Sobol and Noa Chelton's ''Kriza'' (Nerves), a play about social injustice and discrimination again Mizrahi Jews in Israel. Bar set to music and performed several of Sobol's songs, including "Yeladim Ze Simcha" (Children are joy).
Bar then formed his own group, "Habrera Hativit" (Natural Selection) with bassist and producer Yisrael Borochov. The original lineup was Samson Kehimkar, an Indian violin and sitar virtuoso, Miguel Herstein, an American guitarist, the bassist Yisrael Borochov, and Bar on percussion and vocals. Yisrael Borochov had a stark influence on the sound of the group, and before he left had arranged, recorded and produced the first two albums of the band. Disagreements over where the direction of the band was going led him to split from Bar and to form the East West Ensemble.
The first album, "Elei Shorashim" (Origins, or a Return to Roots), combined traditional Moroccan and Yiddish music, with Indian elements and motifs, as well as new renditions of songs by Israeli poets. The songs were long, some of them running for eight minutes, and the subject matter was unusual for the time.
The lineup went through several changes in the 1980s and 90s.
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Bar's musical influences are broad, including Bob Dylan and Miles Davis on the one hand, and classical Indian music and Jewish liturgy on the other.〔http://www.notes.co.il/mati/21190.asp "מגיל צעיר עברו לי מהפכות של הכרה. והייתי מבין הראשונים ששמעו את מיילס דיוויס, נינה סימון, בוב דילן ואחרים. עוד לפני שהם הגיעו לרדיו. אני מכיר אותם כבר ארבעים שנה. והנשמה שלי תמיד נמשכה אחרי איכות. תגיד לי מה אתה שומע ואומר לך מי אתה. שמעתי מוזיקה הודית קלאסית והבנתי למה אני קיים. לפני זה רציתי להיות אלביס, מיילס ויכולתי להעריך את התרבות הזו. אבל לא יכולתי להיות חלק ממנה. אני יכול להיות מושפע ממנה אבל לא יכולתי להיות במקומה"〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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